I see people moving past my window
and I just want to tell them
there’s no better place here or there;
it’s all the same.

I used to think the sandy beach was
worse than the loamy forest floor,
that the smell of diesel was better
than the faint aroma of ball point ink.

I remember racing to intercept messages
that would get me a beating
but the frantic race did more damage
with all the possible outcomes in my head.

I am slower now and I can’t tell
if it’s my body or my will submitting,
if it’s weariness of age or beauty of grace
allowing me to breathe.

I want to keep asking questions
but I do not need answers;
I am curious about how the air changes
around different feelings.

I wonder if it is worth checking
how the moonlight will strike tonight.

Sometimes when my head is tired
I hide in my car and gaze out the windshield

-my views, my roads, trees
I’ve passed hundreds of times, with
flowering weeds, potholes – and it’s
a strange newness in the same old scene
not unlike roads near the ocean
with detritus of evolution
or across the ocean in towns with
old churches, smaller spheres of family,
greater breadth of history than I can figure
because my ancestors seem to have
risen just in the last hundred years,
or so I’ve been told because I guess
we’re common stock with minimal
vintage appeal.

Blue, like the Picasso or the Monet blues,
I grip my steering wheel
without going anywhere except
in my head because the parking lot
is a great place to hide, a blank slate
to recall houses, dinners, disappointments,
and travel brochures for places
we’ll never go. Leave it to my people
to escape the arid mountains of Italy
and entrench themselves
in Pennsylvania coal mines,
trading salt for soot.
But the radio played the same war
on both sides and I think we just danced,
or at least that’s what I like to imagine
as the acorns hit my hood in the parking lot,
the cadence making me shimmy
in the afternoon.

(after Ginsberg’s poem for O’Hara)

I raced raindrops
on my way back to the office
and in that moment,
I didn’t need to ask for anything.
I had all I needed.

Whatever prayers I repeat
on a loop in my heart
were on hold as I moved.

I’ve not yet told you of my interest in time.
I am not invested in its passing per se
but I love how leaves change in fall
and how trees grow and shed
branches and bits to keep growing.
I like seeing rivers and seas ebb and flow
with passing days and months.
Years are too large for me to wrap around-
you can say ten or 100 years
and I can only imagine through next week.
The Bible’s time doesn’t bother me
because it’s all too much to imagine
with my limitations anyway.
I don’t think about my age much
but I apply cream every day
to minimize the weariness I see.
I don’t worry about being late
but I love clocks and watches
and the act of noting the time,
as if the number means something mystical
or scientific when we are born or die.
I was born at 3:15 a.m. and I don’t know
if that affects anything else in my life-
I was also a month premature, so maybe
I’ve always been in a hurry.
Which is humorous now that I know
I’m not getting anywhere.
Except in my head, where I imagine
time as a back and forth proposition,
where I can go places and yet be safe,
be loved and love openly without remorse,
where I can watch rivers surge,
moon cycles spin, and my hand held
like there’s no tomorrow.

I am addicted to watch advertisements.
Closeups of gears, metal, lugs, and leather
call to me and descriptions of the art
of timepieces blow me away,harkening back
to when Ogilvy knew how to tell a story.

I feel an inexplicable connection to watches
so I stare, loving the faces, different styles,
the bits of history, the mechanics.
Time porn. I am addicted.

Like Charlie Chaplin trapped as a cog
but happily so, where time is irrelevant,
moving like a river -somewhere, anywhere –
the story of a watch feels luxurious
and the cadence of my breath changes
as I imagine being Rosalind Russell
sparring with Cary Grant, or a code breaker,
or someone with somewhere to go.